ABOUT THE MOVIE
We meet the main character as he leaves prison after serving a 5-year sentence for battery and the resulting manslaughter. At the time of his release from prison, he has no plan for his life. He is now 25 years old and has spent most of his early adulthood locked up. So he doesn't quite know what it's like to "be an adult" outside the prison walls. Waiting for him at home is his alcohol-addicted mother and the specter of eviction for his mother's unpaid rent bills.
The difficult situation the protagonist finds himself in forces him to deal with all sorts of institutions and try to find a job. We follow his journey through visits to the labor office and unsuccessful attempts to find employment.
Eventually, however, the protagonist manages to find a job and seems to start getting back on his feet by solving a difficult situation. It turns out, however, that he is cheated by one of his employers, and then he faces a dilemma - should he go back to his familiar ways of resolving conflicts?
How to deal with injustice and an extremely unsupportive environment?
JAKUB ŁYSAKOWSKI - cultural expert, film critic
I read the script of "Wojtus" with great interest and hope. Rarely does our cinematography host a theme so strongly rooted in social relations, following with documentary sensitivity and inquisitiveness the actions of the title character, a former prisoner. The theme, atmosphere and emotion that the text carries reminds us of the best European and world achievements, for example, the social, documentary-grown cinema of Eric Zonka.
I'm rooting for this project, because it is worth our attention, it raises current, relevant issues in a way not seen in our country for a long time.
WHY ARE WE MAKING THIS FILM?
Social change can be initiated by various factors. We believe that cinema can be the first step in the pursuit of it.
By touching on the extremely important topic of the rehabilitation of convicted persons in early adulthood, we give the viewer the opportunity to reflect and analyze their own point of view. We prompt them to rethink their own attitude towards marginalized people, thus extending a helping hand to the main character. The chance he receives is not an attempt to whitewash his behavior or views, it only indicates that without the help of the rest of society, the transformation will not happen.
CAST/CREATORS
and:
Joanna Matuszak
Adam Zych
Sylwia Witkowska
Maciej Litkowski
Maciej Sikorski
Maja Bartlewska
Grażyna Nieciecka-Puchalik
Taiga Dąbrowska
Maria Dąbrowska
and:
Arkadiusz Zacharko
Piotr Krężel
Borys Panfil
Katarzyna Nadworna
Sara Szymkiewicz
Alicja Jastrzębska
Iwona Rząd
Paula Ewa Krawczyk
Urszula Misztak
Leszek Fiącek
Robert Ostiak
Michał Parchimowicz
Krzysztof Piskuła
Pavlo Yavorskyi
Konrad Wujciów
Lila Miller
Sławomir Stępień
Michał Matys
2nd director
Executive producer, production manager
1st as. cam, gaffer
Asystent kierownika produkcji
Production designer
Production assistent
Make-up artist
Make-up artist
Make-up artist
Music
Sound designer
Boom operator
Boom operator
Boom operator
1st as. camera, gaffer
Social media
Grip
Grip